Wednesday, October 22, 2014
Tuesday, October 21, 2014
Monday, October 20, 2014
Sunday, October 19, 2014
All portraits are collaborations. This one took on a life of its own and kept us busy for the better part of a hour. Please meet Art On The BeltLine photographer Ken Walters, whose tintypes recall technology of the mid-nineteenth century. Those lengthy exposures may be timed by (what else) an iphone, but owe nothing to electricity. There am I with my digital camera and bicycle. Toxic chemicals remain wet until fixed upon the copper plates inside a portable darkroom. Such an arresting sight on the BeltLine Eastside trail stopped another photographer, this one harkening to the mid-twentieth century. His classic Leica M3 realized the spontaneity promised by film and was a favorite tool of journalists. Never a darkroom guy, I do not miss the chemicals and dedicated workspaces, yet wrapping my mind around the notion of digital files replacing negatives or transparencies took some time. That three eras of photographic processes would converge under the Highland Avenue bridge and not, say, in an art gallery speaks to the connective power of our BeltLine. Please follow this link to a schedule of today's Art On The BeltLine events.
Saturday, October 18, 2014
Givenchy Spring/Summer 1974
Bill Blass Fall/Winter 1996-97
Patrick Kelly Fall/Winter 1986
More than a display of haute couture, the Ebony Fashion Fair broke through social barriers to bring empowering glamour to mid-twentieth century African Americans. The travelling show from the pages of Ebony Magazine was the work of Eunice Johnson. Learn more about her quest from this NPR story and visit MODA, not only for the fashions, but the story they tell.
through January 4 at MODA, 1315 Peachtree Street
Friday, October 17, 2014
Thursday, October 16, 2014
Just the print to wear to Ciderfest!
This being Atlanta, pedal power turned the mill.
Pressing cider from apples requires crowd sourced muscle.
People continue to post memories to the Ciderfest facebook page.